By way of  postscript to a piece I wrote, last  week, which details efforts on the part of the Livingston Organization  for Values in Education (LOVE) to  pressure  the  school board, in Howell, Michigan, into removing  such modern  classics as  Kurt Vonnegut's "Slaughterhouse Five,"  Richard Wright's   "Black Boy," and Toni Morrison's   "The  Bluest Eye" from  high school curriculum on  grounds of  obscenity  comes the following: 
Late yesterday, U.S.  Attorney Stephen J. Murphy III and the Michigan attorney general's office announced that complaints  of obscenity by LOVE are without merit, and there has been no  violation  of federal  law  by  placing the above-mentioned  books  on the Howell  school approved reading list.  (ABFFE)    While this is  a clear  victory  for the First Amendment, and shows that there are signs, however small, of intelligent life left in this country, one cannot help  but  wonder, along  with American Booksellers Foundation for Free Expression  president, Chris Finan, why it  is that a complaint by one  person to  a local school board about what she considers objectionable  content  would be referred by  a U.S. attorney to the FBI in the  first  place?     If one patron in  a movie theatre complains about the  air conditioning, the theatre seldom turns it off, but if one parent complains about  profanity in a novel, it gets referred  to the U.S. attorney  who then summarily  passes it on to the FBI?        Hopefully,  Murphy's decision shows that he's done his homework, and recognizes that pursuing this obscenity charge is both ludicrous, and frivolous in light of obscenity trials  of the past century
And, at the end of a week in which it was disclosed that the Justice  Department has been investigating  underreporting of  use of  the USA Patriot Act to harass  companies  to turn over  personal  data about their customers, one also wonders how it is that there  is so  little  focus on, and i nvestigation of a proliferation of inc idents  involving  attempts to ban books in public schools, such respected titles as  "Tiger Eyes," by Judy Blume,  and  "The  Chocolate War," by Robert Cormier?         While  we  are  all outraged by the prospect  of  a  presidential pardon  of  Scooter  Libby, where is our  rightful  sense of outrage over the affliction of right wing agoraphobia into our public schools?